When Charles Symington is in the Tasting Room it is very difficult to talk to him. He simply doesn’t hear you: he is intensely focused. All that can be heard is the sipping of wine, the clinking of glasses being placed back on the bench, and the low murmurs of the three tasters as they compare their impressions with one another.
“You need tranquility and peace when tasting,” Charles explains. There certainly is that in Graham’s Tasting Room: it is a place of deep concentration. Over recent weeks, samples of the 2013 Port Wine from each vineyard and each fermentation have been on their way from the Douro to the Tasting Room in Vila Nova de Gaia. Charles and his team, Nuno Moreira and Manuel Rocha, have been assessing each lote of young Port Wine and determining its future.
As they work through each sample, they determine which of Graham’s Ports the wine will be suitable for. This sometimes requires that they foresee the wine’s characteristics up to 40 years into the future for Graham’s 40 Years Old Tawny Port, for example. There is one special case though and that is Graham’s Six Grapes.
Charles explains that Six Grapes is so special that you only very rarely come across a wine of sufficient quality to make it. If you go looking for Six Grapes, you won’t find it: it is something that you come across while you’re not looking – and it doesn’t happen very often.
Like in an artist’s studio, the light in the Tasting Room is also extremely important. If it is not right Charles will often postpone his team’s work, especially when tasting Vintage Ports, which because of their deeper colour require the perfect conditions to be assessed properly. For the same reason, tasting is only done in the mornings.
It is a massive logistical challenge to gather all these samples. “You can’t just email wines around,” Charles remarks.
For some months after the brandy has been added to the wine, the young Port Wines cannot be tasted. They require this period of time to “fall bright”, that is, to become fully expressive in flavor and colour. During this period, the wine actually grows darker and the aromas intensify.
Charles and his team use this period to make fresh blends of Graham’s Aged Tawny Ports, which are then allowed to marry together for at least one year.
Charles, Nuno and Manuel conduct a quick first assessment of the wines, during which they record their first impressions and organize the wines accordingly into broad categories. They then work through them much more slowly, spending a long time over each lote, before deciding on their final classification.
Charles’ general comments about the 2013 wines were that they had remarkably good colour. A Port Winemaker, he then said, has to be fascinated by colour.
Have you got any questions for Charles regarding our 2013 wines? Ask him here – post us a comment.